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A Poem for All Saints Day- sometimes I cannot always be there
and are they the ones who also just started something in Brazil?
You must tell me why you'd be Sushi.
Also, you used the acronym POD - I'm guessing here...does it stand for publishing-on-demand or something else all together? Because, I think self publishing on demand is one way that you can circumvent a dysfunctional channel.
OK, I'm rambling here and boring everyone...sorry.
As for pulling out of CBA Winter, Michael Hyatt explains that really well in the blog post I quoted here. That's the larger purpose of his post, in fact, I just pulled a quote that I found interesting for another reason.
POD is print-on-demand. I should have explained that.
You said, "Any industry where the channel controls the business is not healthy." That's exactly the kind of point I was trying to make about CSFF. A few vocal readers (including myself) want the channel to be viable. But I'm not sure our interest translates into broader interest. I'm glad to hear that you think POD could circumvent a dysfunctional channel.
For me the verdict is still out on POD. It seems like a natural innovation given the state of desktop publishing. But it also feels like a POD book hasn't been "really published."
For instance if there are no essential differences between the products in the market, power shifts to the channel because getting products to customers becomes all about distribution channels and lowest pricing.
The intriguing question is whether that's where the publishing industry is currently at. Has the mass availability of content over the Internet made fiction a commodity?
I often wonder exactly what industry it is that I'm looking to be inside of, however. Andre's comments have me thinking more about books/authors as commodities. Even though I don't like being thought of simply as a consumer, I'd resist being thought of simply as a commodity even more.
For the record, I don't believe that books are commodity products, the way say, bottled water or toilet paper are. There are too many nuances in what constitutes good writing for that to be the case. And, good writers should never feel like commodities. :-) There are far too few of them around!
Let me finish on a positive note - I actually believe that POD is a good thing and will to some degree, open new opportunities for writers and readers alike. Essentially, POD creates a "direct channel" to the reader by dis-intermediating the traditional publishers and book sellers. You can take your work to the masses and let them decide. Writers like you can now publish CSFF books and if there is an appetite for it in the broader market, presumably the readers will find you.
But... when writers make it a goal to be part of a business system, their book (and their marketable self) will work best when they fit into a specific role in the system.
To publishers, books are products. And so are writers in a certain sense.
Michael Hyatt posted some really good content on this topic last week about the ideal publisher and the ideal author.
If an author has something good to say, it matters that it will end up being read by someone, right? But, if it doesn’t sell, that won’t happen. I was at one publishing company where I saw that the editorial department was being trained to understand the mindset of sales and marketing. That was great to see them make the effort!
I don’t want to scare authors, but if you don’t think like a sales person, it could make a big difference to get advice or feedback from a sales/marketing type of person.
To that end, it would be beneficial to momentarily think of yourself as a commodity, even though you are much, much more.