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Michael Card Interview Chosen as Best of 2009
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Michael Card Interview Chosen as Best of 2009
It would be interesting to look up the Hebrew word for "good" in that Genesis passage. (maybe I'll do that later, now that I'm intrigued!)
We don’t necessarily have a conflict between Charlie Peacock-Ashworth and Edward Knippers. Creation was good because it came from God. Before creation, the real world was God Himself and nothing else. But since we, His created beings, are not the source of good, our good deeds are necessarily tied to usefulness. The thing I can’t understand, is why would mean old Mr. Chesterton want to shoot my grandma in the top right or anywhere else?
R.C. Sproul likes to say that, “it is the theologian’s prerogative to make distinctions.†So I’ll toss the word, “good†back to you for making distinctions. Good how? Sales, motivation, originality, reflecting the righteousness of God? Or is that what you’re trying to get us to do?
God's goodness seems to me tied up in redemption, making all things new. So perhaps I would now think of "good" art as something that helps clarify/reveal/relate the meaning and significance of the "real world."
I am particularly intrigued by the last paragraph quoted. Too often art is only seen as redemptive if it is evangelistic. In fact, a lot of evangelistic art isn't actually "good."
I could go on . . . but I won't. I might have to drop back by on this one though. LOTS to think about.
Craver, that's a really nice thing to say. And what a smart distinction between our need for goodness to be useful as particular to humans! As for how to determine what is good... I don't know. Isn't that what we pay the critics for?
Seriously, though let me think about that some more. I'll get back to you with a full post.
Charity, you are very generous when you say "a lot of evangelistic art isn't actually good." I'd say good evangelistic art is almost an oxymoron. Evangelistic art by definition sets itself up to be didactic. I think art is good at raising questions and creating tension. When we try to use it to provide answers, we come across preachy and didactice and pedantic and bombastic and all those fun tone words I use to teach in AP English.
Don't get me wrong, I like preaching. I just want the preachers to do it. Artists are usually pretty bad preachers.
Anyway, I think it's interesting that the word is often used to communicate a pleasant smell. This says to me that the "good" is not a utilitarian good, but rather an experience... the kind of thing that enters whether or not you want it to, and captures your senses, and fills you with awe and the desire for more.... without a word spoken.
Now, what would that look like in writing? It would be writing that simply captures you and holds you close... inescapable, intoxicating. And not able to be closed in, hemmed in, completely defined or boxed up.
By the way, I love the "good" quote in the top right corner. That's just funny.
I also like the comments about smell. You know the old adage about "show, don't tell." But that limits our imagery to visual senses.
Quick English teacher lesson (I can't resist): Imagery is any description that appeals to the senses. This definition isn't a metaphor. The most powerful kinds of writing actually provoke a visceral response. Good descriptions of food make my mouth water. Good descriptions of col make me shiver. Literally.
But maybe I just take my books a little too seriously.
I like your definition of good, by the way. For me the sticky issue comes in when I write for a particular audience. For example, I'm working on what is essentially a horror short story right now. It raises many questions, but none of them directly. In fact, Flannery O'Connor is pretty much my model for good fiction.
I could argue (and have) that "A Good Man Is Hard To Find" is the best Christian short story ever written. But in the wrong context that story is completely inappropriate.
There is so much to say here theologically, that it's hard to know where to start (for me). I see GOOD as fitting, in thought and experience. Though to know what is REALLY fitting, and therefore GOOD, takes nothing less than revelation from God, for us to even begin to "get it".
That's the goodness that I strive for when I edit. If I'm working with specifically Christian work, I keep Christ's special revelation in mind. But the vast majority of work we do is about being part of God's general revelation--whether someone is acting as editor or a dad or doctor or lawyer or teacher or whatever.
That is all.
L.L., a theology of fashion sounds intriguing actually. Would it include a history of various garbs worn by Christians?
Ted, I'm just kidding about "getting back on track." I loved your comments.
Come back later today for more practical posts here.